Sleeping Nude

Chaikov, Joseph

1888 - 1979

Sleeping Nude

Bronze

29.5(L) x 14.3(W) x 7cm(H)

1950's

 

PROVENANCE:

Bought from the artist in the 1970's

Private collection, Moscow

LITERATURE:

Certificate Ludmilla Svarts, curator of Soviet period scupture, Tretyakov Gallery, Moscow

Joseph Moisevich Chaikov (also spelled, among other spellings, Tshaykov, Tchaikov, and Tchaikovsky; 1888 – 1979) was a Russian Jewish sculptor, graphic designer and teacher, active both before the revolution and as a Soviet artist.

Sleeping nude depicts a woman lying on her side seen from above.  Chaikov successfully captures the weight of limbs motionless and we can see at a glance that the woman is sleeping.  Chaikov was always interested in form and excelled at beautiful depictions of the female nude that continued an unbroken tradition that runs from the nudes of classical antiquity through to the studies of Degas.  He delighted in such personal studies made purely for his own enjoyment as there was only a limited market for such works during the Soviet period.  Bronze was very expensive and tended to be used only for the most important official commissions and this sculpture was cast in an unknown metal and then bronzed with a pale green patination. Ludmilla Svarts, the Tretyakov scupture curator remembers admiring this sculpture in Chaikov's studio in the 1970's and discussing it with the artist.

 

The same model by Chaikov dated 1959 in porcelain in the Tretyakov Gallery  

Chaikov was born in Kiev, initially trained as an engraver, and studied in Paris in the years 1910 through 1914. In 1912 he co-founded a group of young Jewish artists called Mahmad, and published a Hebrew-language magazine with that name; in 1913 he participated in the Salon d'Automne.

Chaikov's famous 'Footballers' of 1938 in the Tretyakov Gallery

Chaikov returned to Kiev in 1914. He was co-founder, along with El Lissitzky, Boris Aronson and others, of the Jewish socialist KulturLeague in Kiev, led sculpture classes there, supervised a children's art studio and illustrated children's books, and in post-revolutionary Kiev focused on billboards and agitational propaganda. In 1921 he published the Yiddish-language book Skulptur, advocating avant-garde sculpture as a contribution to a new Jewish art. This book was also the first book on sculpture to be published in Yiddish.

Chaikov moved to Moscow to teach at Vkhutemas from 1923 to 1930, alongside fellow sculptors Boris Korolev and Vera Mukhina. All three designed and taught cubist sculpture in the distinctively Russian Cubo-Futurism style, radically geometric and highly dynamic. From 1929 Chaikov was the head of the Society of Russian Sculptors. In 1932, after the end of the period of artistic freedom, all of these cubists turned back to Socialist Realism and produced more classically styled work.

In the 1930s his work was prominently shown at the two Soviet world's fair pavilions, for the 1937 Paris Exposition and the 1939 New York World's Fair. His work in Paris was an extensive frieze of nine-foot figures, the People of the USSR, carved on two steles flanking the entrance to the pavilion. Fragments of the Paris work were unearthed in rural France in the 2000s, after having been presented to the French labor union after the fair, relocated to a holiday château, broken up by pro-Nazi youth during the occupation, and buried for 50 years.^[3]

Chaikov continued to work in a variety of genres, techniques and scales. He was named an Honored Artist of the USSR in 1959, and his work is in the permanent collection of MOMA.

He died in Moscow.

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